Literally my favourite thing about Rogue One is that it makes the opening of New Hope so funny. Like, Vader has followed Leia from a planet he just blew up seconds ago and pursued her across the galaxy and then sheās just like:Ā āIām on a diplomatic mission to Alderaanā
Vader: Youāre a rebel. I just had a fight with your entire rebel fleet and followed you here. Straight from the rebels. Of which you are a part
Leia: *dramatic gasp* rebel? Me??? Ā I was just passing through. Diplomatically. Thought it was a five-space-ship pile-up or something going on thereā¦Ā
ok but this is like legitimate Canon Improvement because Iād always wondered why Vader was so wildly furious at the start of the movie likeĀ ārahhhhh bring me the passengers I WANT THEM ALIVE!!!!ā and now Iām like
ohh yeah okay they literally JUST blew up Vaderās base, stole his sh!t, and took off while giving him the finger from the window
It is the best thing ever because it establishes that he knows sheās a Rebel and she knows he knows sheās a Rebel and he knows she knows he knows sheās a Rebel andāhereās the kickerāevery moment she stalls him is another moment Artoo has to get the plans off the ship and head for Kenobi, and so sheās standing there allĀ āRebellion? What Rebellion? Me? *kicks dead Stormtrooper underneath carpet* I donāt know about any plans, have you checked behind the sofa?ā and making Darth Vaderās blood pressure rise, and, oh, the best part of it is that sheās his daughter so guess where she got that sass from, like every fucking dead blue Force Ghost Jedi who got killed at the birth of the Empire is whooping and cheering from the Blue Force Ghost Afterlife seeing Anakin Skywalker get inflicted with everything they had to deal with from him.
You just know that enough peopleās dying thoughts were, āI hope you have one just like you,ā for the force to go, āthis bitch deserves twins.ā
Korrasami is canon.
You can celebrate it, embrace it, accept it, get over it, or whatever you feel the need to do, but there is no denying it. That is the official story. We received some wonderful press in the wake of the series finale at the end of last week, and just about every piece I read got it right: Korra and Asami fell in love. Were they friends? Yes, and they still are, but they also grew to have romantic feelings for each other.
Was Korrasami āendgame,ā meaning, did we plan it from the start of the series? No, but nothing other than Korraās spiritual arc was. Asami was a duplicitous spy when Mike and I first conceived her character. Then we liked her too much so we reworked the story to keep her in the dark regarding her fatherās villainous activities. Varrick and Zhu Li werenāt originally planned to end up as a couple either, but thatās where we took the story/where the story took us. Thatās how writing works the vast majority of the time. You give these characters life and then they tell you what they want to do.
I have bragging rights as the first Korrasami shipper (I win!). As we wrote Book 1, before the audience had ever laid eyes on Korra and Asami, it was an idea I would kick around the writersā room. At first we didnāt give it much weight, not because we think same-sex relationships are a joke, but because we never assumed it was something we would ever get away with depicting on an animated show for a kids network in this day and age, or at least in 2010.
Makorra was only āendgameā as far as the end of Book 1. Once we got into Book 2 we knew we were going to have them break up, and we never planned on getting them back together. Sorry, friends. I like Mako too, and I am sure he will be just fine in the romance department. He grew up and learned about himself through his relationships with Asami and Korra, and heās a better person for it, and heāll be a better partner for whomever he ends up with.
Once Mako and Korra were through, we focused on developing Korra and Asamiās relationship. Originally, it was primarily intended to be a strong friendship. Frankly, we wanted to set most of the romance business aside for the last two seasons. Personally, at that point I didnāt want Korra to have to end up with someone at the end of series. We obviously did it in Avatar, but even that felt a bit forced to me. Iām usually rolling my eyes when that happens in virtually every action film, āHere we go againā¦ā It was probably around that time that I came across this quote from Hayao Miyazaki:
āIāve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mutually inspire each other to live - if Iām able to, then perhaps Iāll be closer to portraying a true expression of love.ā
I agree with him wholeheartedly, especially since the majority of the examples in media portray a female character that is little more than a trophy to be won by the male lead for his derring-do. So Mako and Korra break the typical pattern and end up respecting, admiring, and inspiring each other. That is a resolution I am proud of.
However, I think there needs to be a counterpart to Miyazakiās sentiment: Just because two characters of the same sex appear in the same story, it should not preclude the possibility of a romance between them. No, not everyone is queer, but the other side of that coin is that not everyone is straight. The more Korra and Asamiās relationship progressed, the more the idea of a romance between them organically blossomed for us. However, we still operated under this notion, another āunwritten rule,ā that we would not be allowed to depict that in our show. So we alluded to it throughout the second half of the series, working in the idea that their trajectory could be heading towards a romance.
But as we got close to finishing the finale, the thought struck me: How do I know we canāt openly depict that? No one ever explicitly said so. It was just another assumption based on a paradigm that marginalizes non-heterosexual people. If we want to see that paradigm evolve, we need to take a stand against it. And I didnāt want to look back in 20 years and think, āMan, we could have fought harder for that.ā Mike and I talked it over and decided it was important to be unambiguous about the intended relationship.
We approached the network and while they were supportive there was a limit to how far we could go with it, as just about every article I read accurately deduced. It was originally written in the script over a year ago that Korra and Asami held hands as they walked into the spirit portal. We went back and forth on it in the storyboards, but later in the retake process I staged a revision where they turned towards each other, clasping both hands in a reverential manner, in a direct reference to Varrick and Zhu Liās nuptial pose from a few minutes prior. We asked Jeremy Zuckerman to make the music tender and romantic, and he fulfilled the assignment with a sublime score. I think the entire last two-minute sequence with Korra and Asami turned out beautiful, and again, it is a resolution of which I am very proud. I love how their relationship arc took its time, through kindness and caring. If it seems out of the blue to you, I think a second viewing of the last two seasons would show that perhaps you were looking at it only through a hetero lens.
Was it a slam-dunk victory for queer representation? I think it falls short of that, but hopefully it is a somewhat significant inching forward. It has been encouraging how well the media and the bulk of the fans have embraced it. Sadly and unsurprisingly, there are also plenty of people who have lashed out with homophobic vitriol and nonsense. It has been my experience that by and large this kind of mindset is a result of a lack of exposure to people whose lives and struggles are different from oneās own, and due to a deficiency in empathyāāthe latter being a key theme in Book 4. (Despite what you might have heard, bisexual people are real!) I have held plenty of stupid notions throughout my life that were planted there in any number of ways, or even grown out of my own ignorance and flawed personality. Yet through getting to know people from all walks of life, listening to the stories of their experiences, and employing some empathy to try to imagine what it might be like to walk in their shoes, I have been able to shed many hurtful mindsets. I still have a long way to go, and I still have a lot to learn. It is a humbling process and hard work, but nothing on the scale of what anyone who has been marginalized has experienced. It is a worthwhile, lifelong endeavor to try to understand where people are coming from.
There is the inevitable reaction, āMike and Bryan just caved in to the fans.ā Well, which fans? There were plenty of Makorra shippers out there, so if we had gone back on our decision and gotten those characters back together, would that have meant we caved in to those fans instead? Either direction we went, there would inevitably be a faction that was elated and another that was devastated. Trust me, I remember Kataang vs. Zutara. But one of those directions is going to be the one that feels right to us, and Mike and I have always made both Avatar and Korra for us, first and foremost. We are lucky that so many other people around the world connect with these series as well. Tahno playing tromboneāānow that was us caving in to the fans!
But this particular decision wasnāt only done for us. We did it for all our queer friends, family, and colleagues. It is long overdue that our media (including childrenās media) stops treating non-heterosexual people as nonexistent, or as something merely to be mocked. Iām only sorry it took us so long to have this kind of representation in one of our stories.
Iāll wrap this up with some incredible words that Mike and I received in a message from a former Korra crew member. He is a deeply religious person who devotes much of his time and energy not only to his faith, but also to helping young people. He and I may have starkly different belief systems, but it is heartwarming and encouraging that on this issue we are aligned in a positive, progressive direction:
āIāve read enough reviews to get a sense of how it affected people. One very well-written article in Vanity Fair called it subversive (in a good way, of course)⦠I would say a better word might be āhealing.ā I think your finale was healing for a lot of people who feel outside or on the fringes, or that their love and their journey is somehow less real or valuable than someone elseās⦠That itās somehow less valid. I know quite a few people in that position, who have a lifetime of that on their shoulders, and in one episode of television you both relieved and validated them. Thatās healing in my book.ā
Love,
Bryan
Bruh, this is canon? In the original, Peter was the only one who never aged. He murdered the lost boys when they got too close to adulthood. Hookās whole crew is likely escaped lost boys. Thatās why they hate Peter.
Original Peter Pan is very Chaotic Neutral. Heāll do anything to help his friends, and anything to hurt his enemies. And if he decides youāre no longer his friend, well, you must be his enemy thenā¦
posting on twitter feels like throwing something you worked on for hours, days, weeks into a river, hoping it'll get swept out to sea for many people to experience, only for it to immediately crash into some rocks and explode. its gone now. if no one sees it in the 0.00003 seconds it exists on their timelines, no one ever will
posting on tumblr is like carefully placing your work in the middle of a dark abandoned factory, and slowly a bunch of weird little goblins manifest from the shadows and touch your work all over with their little raccoon hands and share it with each other. sometimes they find your thing again many years later and excitedly share it again
in average
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