The thing about “the LGBTQ community” is that it has always been an explicitly political coalition. We didn’t all just come together and hug one day.
As a cis bi man, I have nothing individually at stake in political attacks on lesbians and trans people (sometimes I don’t even have anything at stake with certain attacks on gay men!) But I treat an attack on any of those groups as an attack on myself, because basically anyone who wants to target those groups also wants to target my group. This has always been the case: there is no inherent reason why gay men would form a community with lesbians, or lesbians with bisexuals, or bisexuals with straight trans people. But historically we know that an attack on one of us inevitably precedes an attack on more of us, so there was a choice made to unify under a shared umbrella.
The right knows this, and in recent decades has been investing in highlighting wedge issues to divide the coalition and weaken its collective power even as it grows larger. Attacks on trans people from cis LGBQs need to be understood as a form of support for these efforts at disempowering all LGBTQ communities (ex. those TERF orgs that signed on to a legal briefing opposing a comprehensive anti-LGBTQ discrimination law because it included trans people)
Story and artwork by sorobochi
English translation by rassicas and trisloshr
Typesetting by merrodi
Link to original pixiv post
We received permission from sorobochi-san to translate this splatoon fan comic. Please look through this blog if you want to read the earlier chapters. Out of respect to the original author, please do not repost any part of this comic. Thank you!
I love when baby gays are clearly still unlearning a lot of biases and like every couple of months try to find a progressive reason to explain why men wearing dresses makes them uncomfortable. Like obviously transmisogynistic caricatures are Bad but if it's just a guy irl who wants to do drag or something that's literally fine. This has been a thing longer than you've been alive
Also like I need you all to understand that historically the line between gnc & trans people has always been way less distinctly defined than you want it to be. And for a lot of people that's kind of the point. Drag in particular is about radical self expression it's about taking gender performance and turning it into a literal show and it rules
To the people in my notes talking about "it's okay if gnc men make you uncomfortable as long as you don't police anyone <3" no it's not actually. You need to think about why that is and deconstruct it. Lol
I feel like there are probably too many people just scrolling past this so let’s go through everything that’s going on here.
1. With Roger’s voice actor standing off camera, Bob Hoskins acts into empty air and frantically sawing at his handcuff, continually looking up and down at different visual marks of various depths. Look at the slow pan up of his eyes in gif 4, and then the quick shift to his side. Think about how, on set, he was looking at nothing.
2. Starting in gif 2, The box must be made to stop shaking, either by concealed crew member, mechanism, or Hoskins own dextrousness, as he is doing all of the things mentioned in point 1.
3. In all gifs, Roger’s handcuff has to be made to move appropriately through a hidden mechanism. (If you watch the 4th gif closely you can see the split second where it is replaced by an animated facsimile of the actual handcuff, but just for barely a second.)
4. The crew voluntarily (we know this because it is now a common internal phrase at Disney for putting in extra work for small but significant reward) decided to make Roger bump the lamp and give the entire scene a constantly moving light source that had to be matched between the on set footage and Roger. This was for two reasons, A) Robert Zemeckis thought it would be funnier, and B) one of the key techniques the crew employed to make the audience instinctually accept that Toons coexisted with the live action environment was constant interaction with it. This is why, other than comedy, Roger is so dang clumsy. Instead of isolating Toons from real objects to make it easier for themselves, the production went out of its way to make Toons interact more with the live action set than even real actors necessarily would, in order to subtly, constantly remind the audience that they have real palpable presence. You can watch the whole scene here, just to see how few shots there are of Roger where he doesn’t interact with a real object.
The crew and animators did all of this with hand drawn cell animation without computerized special effects. 1988, we were still five years out from Jurassic Park, the first movie to make the leap from fully physical creature effects to seamlessly integrating realistic computer generated images with live action footage. Roger’s shadows weren’t done with CGI. Hoskin’s sightlines were not digitally altered. Wires controlling the handcuff were not removed in post.
Who fucking Framed Roger fucking Rabbit, folks. The greatest trick is when people don’t realize you’re tricking them at all.
This movie will be studied and analyzed and revered and worshipped for generations because, not only of the ground breaking techniques they used to make the magic happen but, for those of us that grew up with Bugs Bunny and Tom and Jerry, for 2 hours we were able to believe that they all really existed.
This is one if the LAST great movies that was ever made.
Let’s also not forget that writing. “Only when it was funny” isn’t just hilarious, it’s great comedy theory. It lampshades the joke, but also serves to remind the viewer that Toons have a separate set of physical laws they adhere to, mostly revolving around comedic value. Roger cannot remove his hand from the cuffs… until it’d get a laugh from an audience.
Everything about this movie, EVERYTHING about it, is so finely crafted. I could wax lyrical about it for days.
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